Abigail. Copyright 2015 Miguel Omaña.

Innocence in a boy’s eyes

Photo I shot of my model Abigail.

I wanted to mimic Renoir’s vision of women changing or bathing. Of course one of the great masters of painting did it in a time so different from our own. Today the idea of seeing a women in a private place seems more apt for a sexy webcam chat. Perhaps we need to go back to the basics.

Something that always struck me about the work of Renoir is the pastel rose tones that inundate his cadres (paintings). There are some of his oevres (artwork) here in Mexico City at the Soumaya Museum. They are my favorites to go and see. I see those rosy brush strokes bring innocence and peeping tom curiosity intertwined into one. No man can say, “Oh right, a nude women bathing” and carry on. There is an element of voyeurism in Renoir’s paintings, but more realistic, almost as if seen by a honest-to-God curious boy. And maybe, just maybe, this is why women are able to see his paintings without overtly censoring ideas.

His arrangement of innocence and voyeurism always defined the way I wanted to portray my work of portrait photography. After all, in case you haven’t noticed, I tend to paint, draw, photograph, and write poetry about women.

Abigail. Copyright 2015 Miguel Omaña.
Abigail. Copyright 2015 Miguel Omaña.
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